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What is the lens designed to do? Still lenses are durable, lightweight, and have high optical quality. All of the differences come down to usage. I’ll go through each main axis of a lens: focus, iris, and zoom, and describe the differences in each. All of these factors add up to a larger, more complicated (and more expensive) lens. Cinema lenses need to be parfocal, with a smooth zoom, large focus throw, hard stops, and minimal breathing. They are too large and simply aren’t designed to be used that way.Ĭinema lenses tend to be more expensive, larger, and more delicate but also have to accommodate more features. This allows for quick switching between lenses without missing any of the action! There is no way that you could do that with a cinema lens. Event photographers frequently have two bodies strapped to their person, each with a different lens on it. With the obvious exception of large telephoto lenses, they are small enough that you can hold the camera body and lens easily. Photography vs Cinema Lensesįrequently, still photo lenses are smaller, more durable, and more lightweight than their cinematic cousins. You wouldn’t use a two-door Honda Accord to plow a driveway, just like you wouldn’t use a huge Ford F150 to commute 100 miles – but they’re both vehicles. Each is designed with a specific purpose in mind – to optimize the photographer or videographer’s speed and precision. Still lenses and cinema lenses, while each serves their own function, at the end of the day they are simply two sides of the same coin.